Psalm 150 is the bookend to the entire psalter. Psalm 1 opens with six verses of wisdom and Psalm 150 closes with six verses of worship. The theologian Walter Brueggemann calls this psalm a full-throated praise, offered in the presence of God — a call to worship, and a stunning doxological conclusion to the entire collection of psalms.
This psalm encourages the accompaniment of wonderfully orchestrated instruments. And yes, we too are God’s stunning accompanying instruments to His perfect plan, the restoration of all things. With our breath we breathe praise and restoration.
As the theologian James Mays posits, “No other use of breath could be more right and true to life than praise of the Lord. No other sound could better speak the gratitude of life then praise of the Lord.” God calls us to be resilient in praise and abundantly present, thanking God in all our circumstances, delighting to do God’s will.
What is the sound of this Psalm? We have a choice of instruments, a variety of instruments, beckoning us to the throne God. There are moments for serial solos featured here: harp, lute, trumpet (v. 3); flutes, strings, dancers (Note: with the orchestration, choreography; think The Nutcracker), and timbrel (v. 4); cymbals (v. 5). And then, finally, the choir in a prime unison (v. 6).
It is by faith, which comes by hearing, that many composers have set this text. The combination of artistry points to the all-surpassing greatness of God. Now, what does this mean for us?
We are to sing our praise to God. Praise calls for every voice to be lifted in song, every instrument to make a joyful noise, the art of each and of all, celebrating the glory of God together.